Tuesday, September 3, 2019
Indecision, Hesitation and Delay in Shakespeares Hamlet - Procrastinat
Hamlet ââ¬â the Hesitation and Indecisionà à à à à à Is there a plausible explanation for the hesitation by Hamlet in carrying out the ghostââ¬â¢s request in Shakespeareââ¬â¢s Hamlet? à Lawrence Danson in the essay ââ¬Å"Tragic Alphabetâ⬠discusses the hesitation in action by the hero; this is related to his hesitation in speech: à To speak or act in a world where all speech and action are equivocal seeming is, for Hamlet, both perilous and demeaning, a kind of whoring. The whole vexed question of Hamletââ¬â¢s delay ought, I believe, to be considered in light of this dilemma. To a man alienated from his societyââ¬â¢s most basic symbolic modes, who finds all speech and action mere seeming and hypocritical playing, comes an imperious demand to speak and act ââ¬â to express himself in deed his fatherââ¬â¢s son. The ghostââ¬â¢s stress upon ritual modes indicates that the expression demanded must not be just ââ¬Å"a kind of wild justice,â⬠but an expression ordered and meaningful. Hamletââ¬â¢s difficulties at the linguistic level ââ¬â his puns and ââ¬Å"antic disposition,â⬠the lack of commensurate values between him and the rest of the court ââ¬â are reflected in his difficulties at the level of action (72). à In ââ¬Å"Acts III and IV: Problems of Text and Stagingâ⬠Ruth Nevo explains how the protagonist is ââ¬Å"confoundedâ⬠in both the prayer scene and the closet scene: à In the prayer scene and the closet scene his [Hamletââ¬â¢s] devices are overthrown. His mastery is confounded by the inherent liability of human reason to jump to conclusions, to fail to distinguish seeming from being. He, of all people, is trapped in the fatal deceptive maze of appearances that is the phenomenal world. Never perhaps has the mindââ¬â¢s finitude been better dramatized than in the praye... ...xcerpted from Stories from Shakespeare. N. p.: E. P. Dutton, 1956. à Danson, Lawrence. ââ¬Å"Tragic Alphabet.â⬠Modern Critical Interpretations: Hamlet. Ed. Harold Bloom. New York: Chelsea House, 1986. Rpt. from Tragic Alphabet: Shakespeareââ¬â¢s Drama of Language. N. p.: Yale University Press, 1974. à Levin, Harry. General Introduction. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin Co., 1974. à Nevo, Ruth. ââ¬Å"Acts III and IV: Problems of Text and Staging.â⬠Modern Critical Interpretations: Hamlet. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. Rpt. from Tragic Form in Shakespeare. N.p.: Princeton University Press, 1972. à Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos. à Ã
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.